What Entertainment Lawyers Need from Mediation

What Entertainment Lawyers Need from Mediation

$45

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What Entertainment Lawyers Need from Mediation
About the Program

The entertainment industry operates with its own language, customs, and pace. Traditional mediation approaches often fall short when applied to disputes involving creative professionals, production teams, or talent groups. Why are rolling credits a point of negotiation? What types of residuals are still available? And how should counsel respond when a music group is facing internal conflict?

This program brings together three seasoned entertainment attorneys—a senior litigator, a music law specialist, and a practitioner with insurance expertise—to discuss how mediation can be tailored to meet the distinctive needs of clients in the entertainment field. This session offers practical insights for resolving disputes in one of the most dynamic areas of law.

Speaker(s)
Tanaz Irani

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Ropers Majeski PC

Tanaz Irani, Esq. is an attorney at Ropers Majeski PC where she focuses on entertainment, intellectual property, corporate, and general litigation matters. She represents clients across the creative industries, offering practical legal counsel informed by her work in the international music business in Barcelona, Berlin, Toronto, and Los Angeles. Tanaz earned her J.D. from Loyola Law School in Los Angeles. She began her legal career in music transactions at LaPolt Law, P.C. and later worked in copyright litigation and regulatory compliance at Charlesworth Law. Combining legal knowledge with real-world industry insight, Tanaz advises artists, companies, and creative professionals on a wide range of legal and business issues.

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Jesse Morris

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Morris Music Law, PC

Jesse E. Morris, Esq. is the owner of the Los Angeles based music law firm, Morris Music Law, PC, where he primarily represents songwriters, artists, producers, managers, labels, publishers, and music-related tech companies. Additionally, Jesse is the founder of Music Law Pro, where he manages and oversees all other attorneys and staff. Jesse is a musician and composer of music himself who has been in several rock acts. Jesse was a co-chair of the LA Chapter of the Copyright Society, and has spoken at events for UCLA, USC, the Association of Independent Music Publishers, California Lawyers for the Arts, Digital Entertainment World, SXSW, and the Beverly Hills Bar Association.

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Kenneth Freundlich

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Freundlich Law

Ken is a seasoned litigator and trial counsel licensed to practice in the state and federal courts of New York and California (among other courts) and has had notable successes in trials, arbitrations, and administrative proceedings in various settings ranging from California Labor Commission proceedings, to IFTA, Guild, and AAA/JAMS arbitrations, to Copyright Rate Court proceedings, to trial and appellate courts (including the United States Supreme Court). Ken is a well-known participant and moderator in panels concerning entertainment law issues.

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Accreditation
Credit Hours:
1.00
Specialty Area:
None
Credit Type:
General
Original Air Date:
April 30, 2025
Accredited in:
California

You may be able to self apply for credits in states not listed. Email for accreditation information in your state.

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