The entertainment industry operates with its own language, customs, and pace. Traditional mediation approaches often fall short when applied to disputes involving creative professionals, production teams, or talent groups. Why are rolling credits a point of negotiation? What types of residuals are still available? And how should counsel respond when a music group is facing internal conflict?
This program brings together three seasoned entertainment attorneys—a senior litigator, a music law specialist, and a practitioner with insurance expertise—to discuss how mediation can be tailored to meet the distinctive needs of clients in the entertainment field. This session offers practical insights for resolving disputes in one of the most dynamic areas of law.
This OnDemand CLE program earns 1 hour of General credit in California. It aired April 30, 2025 and features Kenneth D. Freundlich, Tanaz Irani, and Jesse E. Morris.
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